A dead woman screams down Wall Street
A dead woman
screams down Wall Street.
Ash smudged aliens
climb into her bus
and go home.
It had been a glorious morning
with no clouds. Now
everyone staggers alone, flees
open mouthed into sidewalk shops
of glads. A stream of dusted strangers
floods the cleanest places in town.
After such explosions
the final rain
muddies the ashen oranges, yes
all their bright pyramids:
abandoned.
*
There is a coliseum of the dead
with their mouths chewed out
in spite of their songs no one can stop.
No one has a map,
we have forgotten where we built it.
There is a stadium of piles
of limbs of limbs of limbs
that hold up the city and
the mouths that sound like traffic
or bombs
or nothing we have ever heard before.
*
We will gather them
from every country and every side.
From our lectern, we hold their terror
up like an infant. Look
they are ready to sing
but we do not care who they are
or for the song or the disappearance
of their names. We gather them to give ourselves
a reason to feed the demanding child.
Remember their mouths are gone.
To begin our bombs we build our book
from our precious babe under the star shower of ash,
the heads of huge Buddhas that slide off
at the neck. The birds slip out
ellipse the air
and go.
A body suspends in the air,
a gingko leaf,
a spontaneous swan,
and it is begun with self aggrandizing prayer
to pile the piles of wailing
upon the piles of others.
*
I will not forget
that rocks half a world away crack too
and that placid, huge,
figures slip suddenly out
of their niches in mountainsides,
niches of walls,
niches of smuggled opium, niches
of beautiful birds
in a land of curtained women
who will wail face
or no face by the time
this is all done and the fruits
are clean in the cities again
and the towers reflect
again and all the flags are flown
until they can fly no longer
and they inevitably fray
and fall.
screams down Wall Street.
Ash smudged aliens
climb into her bus
and go home.
It had been a glorious morning
with no clouds. Now
everyone staggers alone, flees
open mouthed into sidewalk shops
of glads. A stream of dusted strangers
floods the cleanest places in town.
After such explosions
the final rain
muddies the ashen oranges, yes
all their bright pyramids:
abandoned.
*
There is a coliseum of the dead
with their mouths chewed out
in spite of their songs no one can stop.
No one has a map,
we have forgotten where we built it.
There is a stadium of piles
of limbs of limbs of limbs
that hold up the city and
the mouths that sound like traffic
or bombs
or nothing we have ever heard before.
*
We will gather them
from every country and every side.
From our lectern, we hold their terror
up like an infant. Look
they are ready to sing
but we do not care who they are
or for the song or the disappearance
of their names. We gather them to give ourselves
a reason to feed the demanding child.
Remember their mouths are gone.
To begin our bombs we build our book
from our precious babe under the star shower of ash,
the heads of huge Buddhas that slide off
at the neck. The birds slip out
ellipse the air
and go.
A body suspends in the air,
a gingko leaf,
a spontaneous swan,
and it is begun with self aggrandizing prayer
to pile the piles of wailing
upon the piles of others.
*
I will not forget
that rocks half a world away crack too
and that placid, huge,
figures slip suddenly out
of their niches in mountainsides,
niches of walls,
niches of smuggled opium, niches
of beautiful birds
in a land of curtained women
who will wail face
or no face by the time
this is all done and the fruits
are clean in the cities again
and the towers reflect
again and all the flags are flown
until they can fly no longer
and they inevitably fray
and fall.
Bob Vance is a hospice counsellor in Michigan,
has had plays produced and is widely published in
magazines in the USA, UK and Canada.
has had plays produced and is widely published in
magazines in the USA, UK and Canada.
Page(s) 29-30
magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
- Blithe Spirit
- Borderlines
- Brando's hat
- Brittle Star
- Candelabrum
- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
- Homeless Diamonds
- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The