Saltlick
A six-pane window in a yard-thick wall throws angled sunlight
first, upon the sill, on a mammoth geranium in a willow-pattern pot, then, on the scrubbed milk-wood of a long deal table,
where, stark and Biblical, large as a keystone, solid as coal,
yet crystalline as snow, flashing diamonds in the dairy,
squats a ten-pound pillar of salt.
In the sty the butcher grinds his knife; the pig squeals in terror.
Nain stokes the boiler’s fire, then heaves the back door off its
hinges. They carry the body on this bier and lay it on trestles outdoors.
We douse it in steaming water, scouring the bristles with rough strokes,
and down the yard a crimson stream runs towards the gate.
Where it puddles the flies swarm
The butcher quarters the carcass, cleaves the rib-cage into chops, wraps a joint for his pains.
At the long table we hammer chips off the pillar
and rub salt into the still-warm pork flesh.
Each day lifts the muslin from the haunches on the slate slabs and we set to.
Our small hands work in more, melding it with the meat,
the cool muscle stiffened now, yet yielding to our embalming care. Beneath our red palms the granules scrape like grit,
but we know the seriousness of our task,
and hours pass in the absorption only children know.
Then, after twenty times, the block is gone, melted away,
the last crystals brushed from the milk wood.
The bacon, hung from hooks on the beams,
among the flypapers and the Tilley lamp’s evening hiss,
matures through two summers, like cheese,
the flesh blackening, the fat a waxy yellow,
until, one dawn, among the tufts and cowpats
of the sloping meadow
as if by especial favour
two dozen heads of mushrooms
gleam chalk-white in the dew,
and the last saved joint is lifted down,
sliced and sizzled with the delicate caps,
then chewed and savoured,
for it is dense with old flavour
pressed from our hands’ labour.
Nain, Welsh for grandma
Page(s) 56-57
magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
- Blithe Spirit
- Borderlines
- Brando's hat
- Brittle Star
- Candelabrum
- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
- Homeless Diamonds
- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The