J. L. Wilkinson
the ordering
A sucked harmonica,
window,
chair at a white wall;
mark out.
In particular (b)
nine frames
unvarnished wood,
fingers make each
about three inch
by seven, a brass
catch, basic type -
cutdown into clip.
Gramophone
advanced to an
opposite wall,
(no
compassing
mid-point.)
Frames gave out
cars' flick,
grass flags cut
by chucked lamps,
a spattered
etiolate copse,
oak.
- Level, the eye so
measures it glinting
down creneled folly
in that house of
letting go, blinks.
Just
each precedent,
necessity
continued;
as a bird hoots
a 3/4 second,
pauses each twice
or three times,
timid
an empty piazza,
an opening sea.
Ten, ten years
at fingertips.
In rocked lockup.
A porthole
clamped. White
or natural, objects
roughmade
or incomplete.
On the chair
that
described above.
Page(s) 166-167
magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
- Blithe Spirit
- Borderlines
- Brando's hat
- Brittle Star
- Candelabrum
- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
- Homeless Diamonds
- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The