Lost Wax Process
I was rough clay
shaped shapeless, hard.
You came.
You saw my finer self, a self unseen;
you moulded me in finest wax, each crest and hollow
image of the perfect now; and I, expression of your perfect
skill,
began to see my finer self, began to be whom I could be,
took up the daily work of being at the edge of me.
You left.
She came.
She loved me, yes, she cared; but hadn’t your consummate skill,
your art in knowing now, and what will be, your touch
- jolts me to the edge, sharpens sags of time -
that modified minutely, day by day, so I was always me.
Without command, she needed certainty.
And I, without your daily touch, felt myself slipping away.
We made the deal.
She drove iron pins through feeling wax into forgotten clay,
and plastered me in clay, carefully, and smiled a last
encouraging smile
before she walled me in.
While it was soft, I felt embalmed; when it went hard, I felt
entombed.
I had become her investment.
In the dark turned upside down lowered into furnace heat
such heat such pain (shrivels the heart)
wax - self! - melting... weeps away
empty black nothing
a scream, the scream of me - my self, gone absence
remained emptiness
between two things; all space rushed in, I hurtled out.
into space; for a moment knew myself - as absence
for a moment knew infinity that did not fold back into itself...
Boiling bronze poured into me, punched empty out, filled choking
me.
I fainted quite away.
Came to in darkness, solid, as I’d been... but not the same.
Clay cracked away, light, air.., but, touched, I do not feel the
same.
Clay quarried out, runners and riders cut away, filed and chased
to a fineness impossible in wax - almost, they say,
‘Perfection’, ‘Timeless’,
and all that.
She stands by me,
safe with my unchangingness. And me?
Oh yes, it’s nice to know there’ll be no droop, no sag,
that I’ll always be like this, be me, without effort, this, me.
But, oh, at night, when all is flux
when she lies like wood
Oh how I miss soft wax, miss your knowing touch.
A little clay inside me, reminds me where I’m from.
My smart patina’d bronze, shows what I an.
Only my memory, tells me what I’ve lost.
Note: this is an accurate description of the ‘lost wax process’ of bronze casting, the method by which the finest Classical, Chinese and West African sculptures were made. ‘Investment’, ‘runner’ and ‘riser’ are technical terms.
‘The era of metamorphosis having come to an end, the era of the statue had begun’. "The Marriage of Cadmus and Harmony" by Robert Calasso, p. 307. (I discovered this book after I’d written the poem!)
Page(s) 47-48
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