How to tell your story: Part 1
In writing your memoir, remember not to be truthful. That is,
if you are a man born female. I guess
that your circumstances are straightened, compared to how things were,
the pressure to be female has returned. You need
the cash of a kiss and tell. Though, first you should judge
the climate of your time before going into print.
Get your cover story straight. Some periods of history require
heroics,
but display a lack of curiosity as to sexual preferences;
they take no fear - or delight - in lesbian inferences.
In fact, it’s not until the nineteenth century
that the frisson of a cross-dressed woman really comes into its own. Post-1800 feel free to flirt with female members of your audience.
Before this time you must play upon your celibacy,
fashion your adventures as a modern day Joan of Arc;
be consumed with a patriotic fervour, burn with a passion for your country
(and your countryman, where applicable). Do not confess
to a love of the dress, or uniform, nor a need for male respect
and a situation in life where what’s between your legs is less of an issue
if you are a man born female. I guess
that your circumstances are straightened, compared to how things were,
the pressure to be female has returned. You need
the cash of a kiss and tell. Though, first you should judge
the climate of your time before going into print.
Get your cover story straight. Some periods of history require
heroics,
but display a lack of curiosity as to sexual preferences;
they take no fear - or delight - in lesbian inferences.
In fact, it’s not until the nineteenth century
that the frisson of a cross-dressed woman really comes into its own. Post-1800 feel free to flirt with female members of your audience.
Before this time you must play upon your celibacy,
fashion your adventures as a modern day Joan of Arc;
be consumed with a patriotic fervour, burn with a passion for your country
(and your countryman, where applicable). Do not confess
to a love of the dress, or uniform, nor a need for male respect
and a situation in life where what’s between your legs is less of an issue
than how well you fire a musket. Cultivate
your sea legs, and do nothing to rock the boat.
Page(s) 46
magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
- Blithe Spirit
- Borderlines
- Brando's hat
- Brittle Star
- Candelabrum
- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
- Homeless Diamonds
- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The