On Chesil Beach
I must begin with these stones as the world began.
Hugh MacDiarmid
From the car park, the duckboard angled up
like a runway to the overcast distance –
but soon we were back on solid earth,
or at least big-pebbled shingle.
Behind us, the canter of the downs
had come to an abrupt and nervous halt –
as if it knew its own limitations.
The rolling landscape of copse and village
gave way to the elemental –
monotonous sea and muggy, misted sky.
In between, this shelf of shingle, miles long tombolo –
hinge between us and the implacable forces.
Here it was humped and dipped steeply into the sea –
innumerable cretaceous pebbles, flint and chert,
quartz and chalcedony worn by waves to rounded handfuls,
small in the palm, ideal for the chuck and catch of five stones;
rarer still porphyry and magnetite, lodestone, not known here
but spilled perhaps from the luckless Dorothea,
beached broadside in 1914.
The camber of shingle was almost sand-coloured, taupe;
the sea dull as ditchwater
until sunlight opened up a slick of silvery-blue.
The waves didn’t get much of a run at the shore –
folding, hushed, at the last moment,
but still they made inroads and still reluctantly
withdrew, drawing a painful sigh from the stones in the dragback.
Some life had taken hold in this shifting ground –
sea campion and sand couch, sea pea and bindweed.
The rest was migrant, like the canada geese which wintered over,
or ourselves, so unsuited to this ground of slip and pull,
here for a few hours to gather into a thought,
if we will, the impressions of the day, or what is exposed
by this sudden distance from the parochial.
Behind us, high on its slope and solitary, the church of St.Catherine’s,
like the last thought of God to cling to the land.
Here all is forgiven, or forgotten: the dragon’s teeth
bared to meet the invader, the tilted pill-box,
the white sails in line across the horizon,
the monstrous half fish, half giant the annals record
off this shore for centuries. Shore-anglers cast
and pull in their lines, landing bass and mackerel.
Heads thrown back in are washed ashore, gleaming.
Gulls swoop and grab and veer off with their catch.
We are made creatures on this bank of time,
longing to hear the voice of the creator.
Page(s) 16-17
magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
- Blithe Spirit
- Borderlines
- Brando's hat
- Brittle Star
- Candelabrum
- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
- Homeless Diamonds
- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The