Nocturne
Schoenberg’s string sextet Transfigured Night:
lovers talking in a cold, bleak wood.
‘I bear a child, not yours.’ A shimmering chord,
muted and pale, gives sound to silent moonlight
and his acceptance sanctifies her act.
The concert over, going home by train
I hear a woman having to explain -
muttering the abrupt and spiteful fact -
she’s pregnant by her husband. The next stop;
her lover leaves. His fumbled, curt embrace
tells her that what they’d planned will not take place.
He passes in his ticket; at the top
of empty steps does not pause or look back.
A rumbling bridge; water under it; a black
moving shadow. Brakes; and from her station
she walks swiftly to a separate destination.
Page(s) 7
magazine list
- Features
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- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
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- Atlas
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- Cannon's Mouth, The
- Chroma
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- Dream Catcher
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- Fabric
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- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
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- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The