My Foreign Land
On flight from Europe the captain
calls out, 'we're now over Canada'.
I look from the oblong porthole
and see my foreign land
in winter panorama, a huge white and black template
carved with eccentric figures
of many anonymous lakes,
with frozen river routes, as white streamers,
that curve and curl back, through the dark-greyness;
below the ice, flowing in their extreme journeys
to the St. Lawrence Gulf.
I long to descend into the vastness
out of the plane, to touch-down on a ridge of wind-scribbled snow
a bowed shoreline of crumpled ice
to see what survives on the edge of survival,
what it means to be Canadian
where I couldn't endure from the cold an afternoon,
to pitch into the blue-white void
but feel urbane sensitivity in snow and frost
forming cuffs on a sheltered sapling,
small gradations as tall drifts thin
to where a shallow fall lets the quartz freckled rock-mass glint
sets white tundra ablaze.
Once more I return - not to the land I lived and dreamed through
celebrating its silencing winter - but my foreign land
from across the ocean.
Beside me sits a young English passenger.
Through the flight off and on we've talked.
She's en route to her husband
and a shared life in Canada.
I call her to look,
she leans across and peers out the porthole;
her face gradually hardens
as she exclaims, "O how barren it is!"
I think of the intimacy down there, micro freezing
and releasing; how, on the tip of your finger
snow crystals melt
with a star-tissue design inside each,
if one can endure close focus
listen with cultivated ears
detect the feather-path of phantom walkers
darker skinned than her or I, animal skin-enclosed, tracking
who best touched the terrain's humility
and calm yielding to instinct;
who with the soft webbed footfall of snow-shoes
followed frozen, named and navigable
lakes and rivers: first residents
who heard thunderous trickle of spring, upheaval of ice cracking.
They of any had a right to call it home. 'Where we are'
they'd named it.
I ruminate over the word barren,
glance through the roaring window, back to the passenger at my side
and say under-breath: 'Never call Canada barren, never call it that.'
magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
- Blithe Spirit
- Borderlines
- Brando's hat
- Brittle Star
- Candelabrum
- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
- Floating Bear, The
- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
- Homeless Diamonds
- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
- London Magazine, The
- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
- Monkey Kettle
- Moodswing
- Neon Highway
- New Welsh Review
- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
- Poetry Wales
- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The