Prints, Permanence and Pain
For the last four years I have explored the relationship between printmaking and tattooing.
For the tattoo to be permanent, ink must be placed beneath the skin. Blood is a by-product of tattooing and so it seemed natural to include this in my work. The life size 'Shroud' was created by printing with a pint of my own blood.
Becoming tattooed has had an enormous effect on my life; apart from the obvious change in my physical appearance and the way I am perceived by others, it has made me consider a number of issues including permanence, mortality and of course pain.
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magazine list
- Features
- zines
- 10th Muse
- 14
- Acumen
- Agenda
- Ambit
- Angel Exhaust
- ARTEMISpoetry
- Atlas
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- Cannon's Mouth, The
- Chroma
- Coffee House, The
- Dream Catcher
- Equinox
- Erbacce
- Fabric
- Fire
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- French Literary Review, The
- Frogmore Papers, The
- Global Tapestry
- Grosseteste Review
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- Interpreter's House, The
- Iota
- Journal, The
- Lamport Court
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- Magma
- Matchbox
- Matter
- Modern Poetry in Translation
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- North, The
- Oasis
- Obsessed with pipework
- Orbis
- Oxford Poetry
- Painted, spoken
- Paper, The
- Pen Pusher Magazine
- Poetry Cornwall
- Poetry London
- Poetry London (1951)
- Poetry Nation
- Poetry Review, The
- Poetry Salzburg Review
- Poetry Scotland
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- Private Tutor
- Purple Patch
- Quarto
- Rain Dog
- Reach Poetry
- Review, The
- Rialto, The
- Second Aeon
- Seventh Quarry, The
- Shearsman
- Smiths Knoll
- Smoke
- South
- Staple
- Strange Faeces
- Tabla Book of New Verse, The
- Thumbscrew
- Tolling Elves
- Ugly Tree, The
- Weyfarers
- Wolf, The
- Yellow Crane, The