The close of Part V Dance at The Witches’ Sabbath.
From LÉLIO INTERRED (a vision).
I am innocence printed on each thigh born
from the day my birth was spilled on her table,
carried in the marked books of human beds
Lelio Erato
1670 I am poet and province,
need no foreign grain in my earth,
whether she is woman or planet,
continent or moon,
I am city and streets to the unpaved
coal pockets and splinters of county tables,
Every man and each woman
who hobbles in one act remembered in my bones
rends me I possessed in each low spasm,
I famished and fed
1680 perfect generations of opium-eaters,
My tongue laps in a thousand languages.
He is corrupt and cast off.
I deny bone and muscle,
I deny his fingers his motion
his sperm
I am holy here.
I only in my passage I, separate
from my manshape, denied male deny him
remember my lowered body
1690 laid and lifted to be planted
as canker on shale mountains
tie earth to earth bowel to bowel
gravellocked he and anchored to rock
never ascend he brutal male
and thin boned boy makes no hair halo,
nor draws circle in air
nor hears voices winged, white say
“Lelio is daughter to us,"
My parents poise as weathers
1700 Of the hovering word
Life me! bring me in dresses,
Lelio in the veins and minerals of women
undying
Make me female among her Heavens
an outcast no more tied to the streets,
torn from the sty of continents
Am daughter Am woman Am eggshaped flame
risen to burn the four-limbed husk,
released when spasms die end his luminous twitch
1710 Am pregnant
I bear child on child to populate air,
Comes the call to congregation,
Lelio in three bells
peal my name to arched Heaven,
my face shines in her rooms
white as ewe’s milk
open to my step
doors part at my fingers
loud as welcome
1720 Lelio come in his genius
“Tear me from the air Lelio,
immaculate Lelio,”
seven bells author all air
with carillon
Rise up! Those sunken in mud
whose lungs nourish in clay,
Call my congregation from all houses,
those unloved who perish unmarried
are made marrow made powder,
1730 blood made hard eyes dry as leather,
Each hand uplifted, five—pointed steeple attracts
I in bells bring Lelio
Lelio Lelio Erato Lelio Erato Lelio Eralio
Lerato elio Erato elia Lerelia Lerato
Lerelio Lerato
Lelio
come in the name in the vision of women
priested
“Lelio has descended and the holied of his step
1740 rejoice!
Genius we chant, genius who found our pieces
stiff as bark barren
trapped in his erect body
0 seamless flesh
made without mate or milk,
left to be fed on pound on pound
of intestine of muscle
damp in each other’s mouth,
as orgy at your feet
1750 Congregat~on of cast—off lovers.”
“Stable us as the parish of dresses
descended in bodiless glories
home where spire and steeple point
poised naked in She
She untouched in all beds.”
“I am scion of the human house
whose roots are barren months.
I am of the core of atoms,
transmute no man to woman
1760 no sperm to egg.
Only as the pulse of each act
denied in her pasted hair,
he perishes as the annonymous mouth
on her tongue
unremembered male flourish in my sex,
Men shall not see me and live
to curl again in a lower marriage bed
bone on bone
hair in hair
1770 mount corpses of cuckolds
at the foot of straddled Sinai,
sandplain burial.”
Be long in layers of her white skin,
Lelio of the hours, ascend as
woman of his embrace,
Be in her shell
the pink child of her arms
of her lips,
whose fists curl round new horns
1780 hatched on his forehead,
bend from his first two—legged steps
to erect adolescent,
mature mature, be breasted as she
as wife as daughter as sister
of his twenty—first man season
or be laid stiff as fossil,
penis petrified to oil.
as her husband as husband is dead.
Leave the flight of her house Lelio,
1790 She is past and printed in no hour,
escape from her hooked hands
She who tears face from skull, sucks air from lungs,
Lelio only in marriage to her dresses
lie as tenent of gravel floors
whose face is drawn frm pavement,
tendons torn in harness
Of his unended climb
Hear my naked feet on each roof,
move each brick under me,
1800 I am her home in sandaled streets
her city
Jerusalem dry as mule breath
Build mosaic round Lelio poetboy paralysed in
Jerusalem where I was made pregnant,
my legs scraped on tiles and arches
where no woman wept
the miracle of descent from
Jerusalem of the body when I first saw
one woman’s face,
1810 invented her eyes from each star,
her skin from midday sand
o I shaped her from the poles and tropics
of Lelio womanless unmarried,
remembered pale or lost when his body is heaped
as compost,
journal my hunchbacked spasm to its end.
“After me there will be no other,”
and her’s is the only face
to float on the ruins of my hands,
1820 her face in leaves of pale fire
wreath round my arms
“Lelio touch me,”
Whose mouth consumes all heroes,
She in human form
wrap me in the tissues of her face,
make love curl in boyhood bellies
succubus
raise me in her fireflesh,
she lucifer of white witches,
1830 annoint Lelio who authors all lovers
“No love is more muscled than my own.”
“Lelio, your legs ache,
your walk, numb and clumsy.
I perch on your wrist
to steady your fragile hand
am the craft of your fingers,
the pale length of your arms,
Who will never be laid in your track
or animal in your sheets,
1840 or lay her down on your table,
“Feed me Lelio,
scrape your fomgers in the street,
tear muscles frors your straightened back
to touch my hands,
to feel my palm in your own.
I am where I was first seen motionless,
where I loved you while you slept,
in the bell of another year,
am her vision
1850 bride or mother untouched
she is dead.”
is dead when I celebrate
my character some to his first woman’s bed,
no more a mannikin
deny impotence
deny Lelio as cattle
deny cosmetic
I perpetuate
in another wife
1860 in the twenty—second year
another in the twenty—third
until my skull is paraded on a pole,
carried to the common ditch
with my hundred wives,
suffer the hundreth death wholly male.
She is when I am as I am untouched,
I cast in the atmospheres of pale heaven
never heard past downfall or burial,
I am as she is infinite in my years
1870 until ground rises, takes me in the hollow
parted with my name,
harbor Lelio interred,
Lay with her in the arms
of the healing earth.
* * *
Jon-Stenhen Fink
Page(s) 171-176
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