Irises
out of those wild, in-
visible circuits, a
hawkmoth flew in. was dawn (in
deep vases, the first
white lines of the iris)._________________
way that they ruffle in
that rock windcell (that their buds un-
scroll and open: opened,asking myself only for what I see . . .).
_________________
like birds trapped in
those tall, still-
glistening frescoes: the errant etruscan’s._________________
earth it-
self held
inthat silent
ven-
triloquy._________________
muscled in
washed golds or
waves of pale naples, these deep
androgynies: ajoust of buds and limp
relenting petals._________________
my lines, for an instant, become theirs (but
only
for the extravagation)._________________
rise, loop-winged, in a volley
of light yellows, stalks caught
in slender rectangular jars . . ._________________
being invisible, we
sip at those open
emanations: tubers shot into tall
grottoes, emptied
wind- eaten tombs._________________
lovely, the irises in their deep
oblivion, wounds open on
what the poem would
close: catch in the purities of its fiction._________________
a surf of
frozen whites, for your eyelids; its
waves, that
pitched linen, for your sleep . . ._________________
(faience de moustiers)
not the javelins stabbing
into their own azurous mass, but the bowl, the
cold, sun- broken round . . ._________________
are corpses, too: the petals streaming
against the hard stalks, or
wizened, sack-
like, in the tissued shadows of their wings._________________
(Saint Vincent’s)
those cold fires on
their piped stems don’t flower, they
alight, perch there in pale,
insane violets . . .(are prayers, are the smoke of prayers....).
_________________
are awe-
weights (for
weighinga
grief
against....)._________________
the dead go on drinking, speckle
the white table saffron
with their transparent inks . . ._________________
each iris: the shell
of an iris, the papery craters
of its spent
ebullience._________________
mass gutted for the sake of an inference
_________________
are the lines of flight of
these floral chases (not the
blades, the buds, the skirts blown, buff-
white, over the draft of
their thighs ),
but the lines driven, quilled,
into the drawn lips of the invisible._________________
_________________(viaticum)
the dried irises in the
sleeves of the oil lamps
are yours - for your journey - for dimming
those gaudy winds . . .
Page(s) 5-11
magazine list
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- Lamport Court
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- Rialto, The
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- Shearsman
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