Riding the Wind by Ruth Robinson
Reviews
Riding the Wind by Ruth Robinson, Hub Editions, 2005. ISBN 1-903746-46-9. £5.50 inc. postage and packing, from: Ruth Robinson, 19 Landisdale, Danbury, Chelmsford, Essex CM3 HQR
Ruth Robinson takes the reader off in her hot air balloon to show us her world. From Ruth’s photograph on the front cover, to the ISBN number on the back, this book floats with quality.
What none of the protagonists in the recent debates in Blithe Spirit about haiku mention is ‘content’ and how it can obviously affect how a person responds to a poem. Having said that, some poets manage to make any content interesting and evocative without resorting to contrivance. Ruth Robinson is one of them. Like A A Marcoff I see perception as a dialectical process, which is why my bête noire is projection. If you know yourself the more clearly you can see other people, animals, etc., as they are. Ruth Robinson knows herself very well.
A splashed frog telephone call
leaps ahead the receiver smells
of my watering-can of chopped shallots
above the tree-line estuary
only the whisper the artist’s brush
of the chairlift wheel catches the hot sun
Notice the other quality in these haiku that isn’t being discussed at the moment: immediacy.
Obviously, as with any collection of nearly 100 haiku, some of the poems are stronger than others, but I can honestly say that there isn’t one dud. And there are four tanka right at the end.
Sarajevo walk end of a hot day
Serb and Muslim united dead flies
shot from front and back on the window-ledge
bare mast reflected
in silver coastal water
the creeks deserted,
I wait an empty shell;
you come with the tide and wind
My advice to readers is don’t read all the theoretical debates about haiku. Buy this book and you will learn, maybe not everything about haiku, but certainly some important lessons.
Page(s) 64-65
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