Elegy VI (II)
II
He took pleasure in levelling the mountains
and in raising high the plains
He dreamt that he induced a massacre
a famine
a cataclysm
Quite facetiously one day
in jest he brought a small triumphal arch
up to the top of the tower
a model of the siege of Numantia
by Scipio Aemilianus
He put his right hand in a blazing fire
(the hope for happiness!)
The face's impassivity in spite of effort
is characteristic
the calm
the energy and the reflection
always showed through
(note the precision
of trees
of rocks
of hills
the bird struck by an arrow)
During the night of 15-16 July, 1823 a bomb crashed
The villa was pillaged
On that day Apollo was on the verge of killing a lizard
Various objects :
a mirror
a jug
small marble cubes of exactly the same size
floats for fishing nets
rigging
balista (a type of crossbow)
a nail from the Passion
two thorns from the Crown
The Aventine was entirely devastated:
a convent
replaced the temple of Jupiter
Being
an augur
he interpreted the Heavenly signs :
the flight of birds
the appetite of chickens
the small unusual facts
and had an artificial hillock built from fragments of amphorae
After his brain's first ecstatic stroke
he understood
things
only very slowly
"Seeing his funeral, he knew that he was dead"
What an artist perishes in me!
He dies throat slashed by the Triumvirate's professionals
Fearing a trap
no-one dared rejoice
Which means that there is little in between
a triumph
and a fall
About the same era the Ripetta harbour disappeared
Scipio embarked for Spain
the residential area extended towards the sea
He ended his life hidden underneath the staircase
Hic jacet pulvis cinis et nihil
Here lies dust, ashes, nothing
A miniature chariot
rose and white laurels
toilet or cult objects
Consternation was general
Translated by John A. Scott
Page(s) 5-7
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