Adoration in the Forest
for John Burnside
Fra Lippi,
Chaplain to Santa Margherita
was expelled in 1456
for making love to Lucretia,
a nun.
While others painted local prostitutes
I imagine he painted
his lover:
Adoration in the Forest
secretes traces
of blasphemy.
His madonna’s skin
not so much bathed
in holy butter-light
as wetted
across the forehead,
in hollows beneath her eyes
as if limpid with sweat.
The Father, the Son, John the Baptist
are blank as paper
but there is a flickering
from her downcast eyes;
the gossamer that clings
to her neck;
her elbows and cheeks, curved
like breasts.
And kneeling, yes,
but tensile, as if
she would rise
or else fall back on her heels;
smooth her skirt
and listen
to the shadowed rocks
the dark trees
fretted with intent,
folding in pine-needles, beetles;
an inescapable murmur
encroaching her.
The Father, the Son, John the Baptist
withstand it
but it seems that her wholeness
is too natural
to endure;
must bruise in the same way
a thumb plunges through
the mottled flesh
of a ripe, and softening, fruit.
Page(s) 26-27
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