Adeline
i.
the soul lives in
the long grass
licks itself
languidly
cat-like
you weren’t
beautiful all that
summer but had occasion
to be mad
ii.
the city had settled
down years ago
into songless concrete
and spaces
where women get hurt
you walked here
mumbling brogue
considering widows and weeds and the residue
glass makes suddenly
advanced
from sound into silence
the bones in your hand were
a fan of fragile
machinery
you watched them
waltzing your nerves
in thin air
you drove past thinking
you needed a poem
to live in to link
the dead weather
to words
iii.
you are pleased
to have the skin
removed from your current illusion
of autobiography
people were vanishing
you were still
with the speed
a human face
disappears
when you leave
letters you make
sure they are blue
and written badly
finally there will be
no audience
an echo only
of water
in your mouth
iv.
a whole war shines
in the garden
you plant in stories
weighed down with stones
sometimes liking the tideless
perfection of rivers
spilt so easily in this
sensual and medieval way
you have a desire
to know your hair
float there
long with relief
at not surviving
to write the image
longingly always
down
v.
you know there are pleasures
existences which
should have entered
into your body
milk and women
are delivered to memory
like blackmarket butter
to the scullery door
you may have even lived
insipidly
several great men never
liked you
the cat performs
small acts of savagery
beneath the rhododendrons
numbering all other
atrocities
the wireless
grittily exhales
vi.
all the houses
where you once lived now
have an interior
view of the sky
you have a husband
who records the mileage
although he knows you
are going mad
vii.
this river walking
was your last
look along the lines
of central transparency
the body is an envelope
soon sealed off
pulled down
the soul weighed
less than a manuscript
went under
with stones did not consider
its posthumous
release
viii.
they say
you were moving
towards your silence but older
censorships
had closed over
your face
icelike and long
with living
in mirrors
men had slipped
their hands inside
how cold it is
this anonymity
you under
stood we think back
through suicides left us
a question of bodilessness
and identifying forms
a litany of sinking
experiments with streams
bloodlessness
suspension
detachment
delicacies wet sand
sheep’s clothes and diaries
so no last words
rest cures
silence doesn’t.
Page(s) 177-180
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